Dante and Homosexuality
What happens to Christian understanding when they
fuse with Aristotle? Another dimension is added. Though you should obey God’s
commands (as interpreted by the Church, of course) because they are God’s
command, you can also through human reason – after all, created by God, a
finite version of his infinite reason – understand God’s reason. Nature is Creation,
God’s ideas flowed into Nature. Human reason, finite and fallible though it is,
darkened by sin though it is, can with the right education and community (i.e.
the Church) be formed to a limited but real extent by Ideas in the mind of God
used to create nature.
We
can recognize trees as trees and love as love because they are intelligible.
Being is intelligible. This is pure Aristotle. But it becomes sublime when you consider
that in apprehending nature you are thinking the thoughts of God after him (as
Newton put it). That this thing and that thing are both ‘birch trees’ because
they share the same intelligible structure means that an Idea of God – ‘birch
treeness’ – gets translated into material reality and our reason is able to
abstract at least a shadow of that Idea (a shadow is still an image of
something real, even if we can’t see what is projecting it): we are in contact with
the mind of God! That is an exciting thought, though hard for us to experience
it as did Aquinas and those of that time. It is a thought made possible by
Aristotle (and Plato).
But
it had unfortunate consequences regarding homosexuality. According to Thomas,
natural law is the rational creature’s participation in the eternal law of God.
Human reason can grasp natural law by apprehending the natural purposes (or
ends – the telos) of natural phenomena – like sex. Sexuality thus has natural
ends: procreation and the unity of a man and woman within marriage. It is
understood today in the Church exactly as Aquinas and Dante understood it. Anything
that violates these natural ends is seen as irrational because it goes against
the divinely instituted natural order. Since reason is the means by which
humans comprehend this order, actions that violate it are considered insults
not only to God but reason and nature. The “Sodomites” are in Dante’s Hell not
only because they violated a commandment – as conservative protestants still
believe today – but also nature and reason: a double-barrel sin.
In The
Inferno Dante places sodomites in the Seventh Circle, among those who
commit violence against nature. This categorization reflects the view that
their actions disrupt the natural and rational order established by God. The
punishment of enduring a barren, fiery desert symbolizes the perceived
sterility and destructiveness of their actions, contrasting with the
life-giving potential of procreative sexual acts. Dante encounters his former
mentor Brunetto Latini among the sodomites, which adds a personal dimension to
his depiction, since he at least seems to have much affection for his former
teacher. His affection and pity – some readers see this as a mean-spirited
shaming of his mentor, but I don’t buy it – shows that the “sodomite” Brunetto
Latini did have individual virtues apart from the sin, that he was indeed
loveable from a purely human standpoint. But there he is, in Hell.
We
see this tension over and over in the Inferno: Dante has pity for those
condemned to Hell and yet he should have no pity. According to Aquinas himself,
to pity the damned is an affront to God, as though a microbe human with his
limited mind and wisdom dare call into question the infinite wisdom, goodness,
love, and justice of God Almighty! Dante later shows he is advancing
spiritually when he relishes adding to the suffering of a no doubt unlikable
sinner. He and his guide Virgil (symbol of human reason!) are crossing over the
river Styx, which separates the carnal sinners of the flesh from the more
serious sinners of the mind and spirit. The walls of the City of Dis are there
to keep God (love) out. In this river the souls destroyed by wrath are
punished. These souls are immersed in slimy muck, striking one another with
hands, feet, and heads, as well as biting one another for all eternity. [As a symbolic
image of wrath this is perfect; as an eternal punishment for a human being,
sickening, though by far not the most sickening in the Inferno.]
And as we ran on that dead swamp, the slime
Rose before me, and from it a voice cried:
“Who are you that come here before your time?”
And I replied: “If I come, I do not remain.
But you, who are you, so fallen and so foul?”
And he: “I am one who weeps.” And I then:
“May you weep and wail to all eternity,
For I know you, hell-dog, filthy as you are.”
Then he stretched both hands to the boat, but warily
The Master shoved him back, crying, “Down! Down!
With the other dogs!” Then he embraced me saying:
“Indignant spirit, I kiss you as you frown.
Blessed be she who bore you. In world and time
This one was haughtier yet. Not one unbending
Graces his memory. Here is his shadow in slide.
How many living now, chancellors of wrath,
Shall come to lie here yet in this pigmire,
Leaving a curse to be their aftermath!”
And I: “Master, it would suit my whim
To see the wretch scrubbed down into the swill
Before we leave this stinking sink and him.”
And he to me: “Before the other side
Shows through the mist, you shall have all you ask.
This is a wish that should be gratified.”
And shortly after, I saw the loathsome spirit
So mangled by a swarm of muddy wraiths
That to this day I praise and thank God for it.
“After Filippo Argenti!” all cried together.
The maddog Florentine wheeled at their cry
And bit himself for rage. I saw them gather.
Imagine if Dante had seen his own father
there. He would have been expected to show just the same sadism. He would have been praised all the more for showing it to the damned soul of his own earthly
father. That’s some sick, perverted stuff.
I saw a video showing Pope Francis – the most
Christian Pope probably of all time – in an audience with the public. A young
boy came up to him and told the Pope his father had died and was an unbeliever.
His father was a good man. The boy obviously loved him. The boy – a Catholic –
was upset by the thought of his father in Hell because he was an unbeliever. I
know Christians who would have told the boy that his father was in Hell because
he did not believe, and no one enters Heaven without “believing.” The Pope
answered: “Do you think God would be able to leave a man like him far from Him?”
If God is Love, that is the true answer. But that the Hell story so tormented
this grieving boy made me angry. Dante obviously applied a different logic from
a very different God to his mentor.
. . .
I am ambivalent about Dante’s Inferno and
about Hell.
Even if God plays no role in your life, just
suspend your disbelief as you do when you read a fantasy novel like The Lord
of the Rings: image a real God as a boundless, eternal, unlimited, self-aware
and transparent to itself – whose being was love, who was pure goodness.
Imagine the Creation spontaneously radiated every second of its existence from
this divine energy according to Ideas formed in its unlimited consciousness. Imagine
that.
That is a picture of God that is at least compatible with the image of
God presupposed by the Pope in his comforting of the grieving boy. Is that
compatible with the image of God in the Inferno, the Divine Comedy?
Could the God who is Love use his infinite imagination to visualize symbolic punishments
to such a degree of perfection, and then condemn those who fit those sins to
live out these fantasies eternally, without any hope of redemption? I can’t. To
me the God that condemned Brunetto Latini to Hell and that punishment is more a
devil than a god.
If
the boy had come to Dante, he would have discovered that his father was in the
6th circle of Hell, in the city of Dis, burning in eternal fire while locked
into a coffin. Atheism was a form of heresy for Dante. The coffins signify
their spiritual death. Just as tombs separate the dead from the living, these
fiery tombs symbolize the heretics' separation from the true faith and from
God's grace. The closed nature of the tombs reflects the heretics' self-imposed
isolation from the community of believers and their rejection of communal
truths upheld by the Church. Fire often represents divine justice in biblical
and medieval literature. The heretics' fiery tombs symbolize the consuming
nature of God’s justice, punishing them for their rejection of divine truth.
Unlike
the purifying fire of Purgatory, the fire in the heretics' tombs does not
cleanse but rather eternally torments, signifying the irredeemable state of
those who die in heresy without repentance. The detail that the tombs will be
sealed shut on the Day of Judgment underscores the finality of the heretics’
condemnation. Their punishment is not only eternal but also irrevocable, with
no hope of redemption. This sealing symbolizes the ultimate and unchangeable
nature of divine justice that will be fully realized at the end of time. Heretics,
many of whom denied the resurrection of the body or other core Christian
doctrines, are punished in tombs that symbolize death without resurrection.
This serves as an ironic commentary on their beliefs, emphasizing the
consequence of their doctrinal errors. The eternal flames within the tombs
symbolize perpetual death, contrasting sharply with the Christian promise of
eternal life. Thus might Dante have spoken to the boy.
If
God is love, then Hell doesn’t exist. Dante’s God is not Love but a totalitarian
ruler, a divine Big Brother.
. . .
If I just focus on myself, I know that
everything I do or say or think moves me either closer to love (because done in
the spirit of love, and thus with God somehow present, if God is love) or further
away from love. I have betrayed a good woman. I have no trouble using a Dantean
image of betrayal as a symbol of the state of my soul as I betrayed her. Had I
died, unrepentant (I repented even as I did it, contradictory though that
seems), I would have been punished in the 9th (lowest) circle of Hell in Dante’s
vision. I
would be frozen in ice, a fitting retribution for my cold-hearted betrayal. (Well,
it wasn’t really cold-hearted. Stupid-hearted. But I’ll run with this.) This
icy imprisonment symbolizes the severity of betrayal, the coldness and the lovelessness involved in abandoning a good woman to her suffering. The ice tomb also symbolizes the permanent rupture of the familial bonds. In remorse, I can almost feel that suffering.
While alive, we can hope for forgiveness.
Sometimes we can do things that help heal the damage. We are not absolute
spirits but rather all “cracked vessels” (Donne) – some with more cracks than
others. This explains the possibility of forgiveness. Were I a center of
absolute consciousness, like the autonomy lovers believe, I would have to own
my deed absolutely, which would indeed put me beyond forgiveness. [I suppose
Hell might make sense for a fallen angel?] But had I died, say, in a car accident,
I’d be in the ice, if Dante’s vision were true. My father might be in the 6th
circle. Most of us would probably be in some circle. In this sense, it is
reasonable to fear “Hell” myself: to fear losing myself, to fear becoming a
person that no one (except perhaps God) can find lovable, and thus whom I could
not find lovable. A person of whom one could say, as far as this life is
concerned: better he had never been born. A person who could curse the day he
was born. In this spirit, I take Hell very seriously. Hell is part of this life. You can destroy your soul, you can damage the souls of other in this life.
I believe a person can be so lost that he
loses all connection to what is lovable in himself, all ability to love, thus
all ability to have faith in anything good, to have hope in anything good; thus
all ability to care about justice. You can destroy your soul in this life: that
is so obvious that I hardly need to say it. Through the deeds of those who have
destroyed their souls in this life – most SS concentration camp guards, for
example – the souls of other people can be destroyed. That none of this matters eternally is also a hard thought to bear. If I imagine that the soul survives
this world and the death of the body – whatever that means – then I can imagine
the dead soul awakening and understanding their lives on earth as God does, the
God who is Love. I can imagine an unbearable remorse. I can imagine those souls
feeling all the pain from all the souls they harmed in life. I can imagine a
kind of Purgatory, which is to say I can imagine the suffering of those who
lost their souls in life when they understand the truth of what they became. A
bit like the Sean Penn character did – however imperfectly – before his execution
in Dead Man Walking when his victims finally became real to him and he
was able to understand the true evil of his deeds.
I can also imagine that this life is our only life and that wasting it on sin - on making a Hell here in Heaven's despite - is to lose everything.
I cannot imagine that if two people love one another who happen to both be men or women that they should have reason to curse the day they were born. That makes no sense to me.
If there is a God of Love, there is no
Inferno. A God of Love might not be able to prevent us from making an Inferno of our own lives. But if there is an afterlife, a God of Love will not further punish those of us who have wasted the gift of life and damaged other lives by throwing us in the Inferno. A God of Love would open our eyes and let us understand our lives from the perspective of love, and help heal us. That is what a good father would do.
I would
never condemn my children to the Inferno no matter how badly they went astray.
I can’t believe God, if God is love, would send his children (his creatures)
there. He would reach out and pull us back.
. . .
The
fear of Hell is part of the so-called conservative Catholic and Protestant
discourse on homosexuality today. The belief that homosexual people are by
virtue of their homosexuality alone destined for Hell. They fear their own
loved ones might cease to believe that and also end up in Hell. Many probably
enjoy imagining homosexuals in Hell, but others are just trying to save their
souls by scaring them with that possibility.
Hell
can be a kind of spiritual toxin. It separates absolutely one soul from other.
As in Dante, it puts a group of souls beyond compassion (as in Sodom and Gomorrah).
As Wendell Berry wrote: he who imagines others there are there themselves.
There is no more reason to imagine that all homosexual people are like those depicted in Sodom than to imagine all heterosexual people are like those in a porn film. A porn film - that is an image of Hell; utter degradation; utter unlovability. If our self becomes reduced to the souls in a porn film, well, that is as close to the Inferno as we are likely to get, although that would leave the soul in the upper circles. The betrayer is lower down, even if the ice is not as visible as the body degraded to a porn object.
Where there is love, there God is. If there is a God, I hope at
least he is not like Dante’s. I would not choose to be born in such a universe.

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