The Ghost of Christmas Future (Stave Four)
The contrast between the Cratchit family
grieving over the death of Tiny Tim at his wake – his body is in another room –
and the contempt in which the body of the dead Scrooge is held is the most
striking part of this stave for me. Grief is an expression of love; when real,
it concentrates love and makes love real. (Grief can of course be sentimental –
displays of grief can be used to attract attention to oneself, for instance. In
that case, it reveals nothing about the deceased person. It can be a conventional
display of feeling for public consumption. Etc.) But there is no doubt that the
Cratchit's grief is profound because their love was profound. Like all forms of
love, it binds the Cratchits together. Tiny Tim draws them together even in
death. And the body of Tiny Tim, bereft of life, still retains a kind of dignity,
for lack of a better word:
He [Bob] left
the room, and went up-stairs into the room above, which was lighted cheerfully,
and hung with Christmas. There was a chair set close beside the child, and
there were signs of someone having been there lately. Poor Bob sat down in it,
and when he had thought a little and composed himself, he kissed the little face.
The narrator comments: “Tiny Tim, thy
childish essence was from God!” And
Christmas is about the Incarnation – God becoming a little child. And then
again the passage read by Peter from Mark: Then He took a little child and set
him in the midst of them. And when He had taken him in His arms, He said to
them, “Whoever receives one of these little children in My name receives Me;
and whoever receives Me…. The death of this child at Christmas is something of
a mystery. But the fact that Scrooge had it in his power to prevent this death is
a powerful reminder of the meaning of the life he lived.
Scrooge had asked the spirit “Let me see
some tenderness connected with a death” because – unknown to himself – he had
been horrified with the contempt with which his own body had been treated.
Listening in while various housekeepers pawn off stuff they had taken from the
house – even taking a shirt from his corpse – we get this description:
Scrooge listened
to this dialogue in horror. As they sat grouped about their spoil, in the
scanty light afforded by the old man’s [the pawnbroker] lamp, he view them with
a detestation and disgust which could hardly have been greater though they had
been obscene demons, marketing the corpse itself.
Scrooge was a
human being and as such his body should have been treated with dignity. The
behavior he is witnessing no doubt de-means his corpse. But you can’t blame the people.
Scrooge had extinguished the humanity in himself. He had thus made his humanity
invisible to those around him. And it is often so that the wrong one person
does to another damages them by making them into the image of the wrong-doing.
These people were just acting like little Scrooges.
What we get with this image of Scrooge’s
corpse is humanity when it has been stripped of all the reality Christmas
stands for. Or it is humanity as seen from the perspective of a pure capitalism
bare of any humanity. (I fear that in our own time. And in that connection it
is depressing to study the changing meanings of the dead body and the ways of
honoring it – or dishonoring it.)
Recall Fred’s praise of Christmas at the
beginning:
…[Christmas is] the only time I know of in
the long calendar of the year, when men and women seem by one consent to open
their shut-up hearts freely, and to think of people below them [who are those
people today?] as if they really were fellow passengers to the grave, and not
another race of creatures bound on different journeys.
The death of a
human being is a profound mystery when seen in the light of love; it is
something to be marketed when seen in the light of a Scrooge. To share that
fate would bind us in fellowship if only we didn’t so often – how to overcome
it?! – walk around with blinders on, with shut-up hearts? That seems worthy of
meditation at Christmas time.

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